Buy Cloudburst and other choral works by Eric Whitacre, Stephen Layton, Polyphony from Amazon’s Classical Music Store. Everyday low prices and free. Buy Cloudburst (SATB) by Eric Whitacre at Choral Sheet Music. The powerful fusion of Octavio Pazs words and Eric Whitacres musical i. Eric Whitacre won a Grammy Award for his ‘Light & Gold’ album in the Best Choral ‘Cloudburst’ received a Grammy nomination in in the same category.

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Only blood, only dust, Only naked footsteps on the thorns? Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.

Cloudburst is a composition by Eric Whitacre for eight-part choirwith piano and percussion accompaniment, written in when the composer was 21 [1] and published in In seinem Kommentar zu i thank You God for most this amazing day schreibt Whitacre: And who better to represent an innovative young choral composer than Stephen Layton and Polyphony, award-winning exponents of twentieth-century choral music?

His Water Night included on this new recording has become one of the most popular choral works of the last decade, and is one of the top-selling choral publications of all time. Da nahm ich die Gelegenheit wahr. Beyond having his work performed by choruses in major international cities, he has designed choral projects that cannot be fully realized unless singers from around the world submit recordings of their own vocal performance.

Brock commission from the American Choral Directors Association, a significant achievement for a composer who discovered classical music relatively late in life.

In the section titled “The Cloudburst”, handbells which are directed to be hidden from the audience play a written two bars, and then play at random as the choir crescendos into an aleatoric section, which is signaled by a loud clap of “thunder”. The mood throughout is reverent, meditative and centered … the performer must take the spiritual journey with total respect for the power of the water and profundity of the rebirth.

At the age of only 35, Eric Whitacre has already gained a reputation in the United States that many composers strive for a lifetime to achieve. In his note for i thank You God for most this amazing day Whitacre comments: Piano and percussion including wind chimes and thunder sheets are joined by handbells, as well as clapping, finger-clicking and thigh-tapping by the singers to create, most effectively, a simulated rainstorm.


No such copyright and public domain issues could arise with other poets Whitacre has set: Retrieved October 26, A short poem of his was translated into Latin by a close friend of the composer, Charles Anthony Silvestri. Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database.

The album included other works by Whitacre and was nominated for the Grammy Award in best Choral Performance. Cloudburst ist nicht nur der ausgedehnteste und experimentellste Chorsatz, sondern auch der einzige, der nicht a cappella ist. Blue suns, green whirlwinds, birdbeaks of light pecking open pomegranate stars. Her sacred spirit soars reads as a pastiche Elizabethan madrigal text, a hymn to Cecilia and Fair Oriana that Whitacre sets for double choir with characteristic fluency as steeped in stepwise movement as the Cummings setting i will wade out is intervallically more angular.

We must sleep with cloudburxt eyes, we must dream with our hands, we must dream the dreams of a river seeking its course, of the sun dreaming its worlds, we must dream aloud, we must sing till the song puts forth roots, trunk, branches, birds, stars, we must find the lost word, and remember what the blood, the tides, the earth, wuitacre the body say, and return to the point of departure….

In Cloudburstcomposed when he was 21 years old, Whitacre used the poetry of Octavio Paz as a point of departure to conjure a rain storm over parched earth.

The poetry that I choose simply speaks deeply to me, and I just do my best to illuminate the words with music. So I ran with it. While Whitacre chose to set just eight words from that Cummings poem, for Lux aurumque he decided to have another poem translated into another language altogether before he set it.

But Whitacre refutes this: Cloudburst — Eric Whitacre. Views Read Edit View history. A thunder sheetbass drumhandbells, suspended cymbalwind chimesand piano cloudbirst to the effect of a thunderstorm.

Cloudburst – Eric Whitacre |

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He went on to study at Juilliard under Corigliano and David Diamond, during which time he wrote Go, lovely rose His choice of texts, the way he explains such choices, and his performance instructions are refreshingly direct and uncomplicated.

This Marriage, eine einfache, bewegende, homophon und parallel fortschreitende Vertonung eines Textes des persischen Sufimystikers Rumi aus dem Yet for all the sophisticated cloudbursst behind those large cloudburwt, Whitacre keeps his focus on the choral fundamentals, allowing the text to clohdburst the composition and keeping the actual tools of manuscript creation surprisingly spare: Soles azules, verdes remolinos, picos de luz que abren astros como granadas.

A Boy and a Girl. Following the opening section is a baritone solo, which is then followed by the development of a new a cappella theme. My life was profoundly changed on that day, and I became a choir geek of the highest order.

Polyphony is from Britain, where choral singing is a national fetish. American composer Eric Whitacre in his mids, is—with the estimable Morten Lauridsen—a part of a growing bounty of choral exploration and development frequently now being recorded by the British-based Layton and his remarkable ensemble, Polyphony.

Die Struktur und whitarce Worte aus dem Frost-Gedicht wie z.

Light and Gold and Cloudburst

It is a story up to now, then, of easy serendipity coupled, of course, with evident intuitive musicianship and raw talent: Whitacre notates long, sustained notes with text to be spoken at random by each individual singer. Don’t show me this message again.

Magical new sounds, singability and a special atmosphere, simply and resourcefully achieved—considerable achievements from a composer twenty-two at the time, whose exposure to classical music and its notation was non-existent just a few years previously.

I like to get to the end of a writing day and have sore fingers and little bits of eraser all over my clothes, like a woodworker leaving his studio.